Hollywood Dreams

WDW in B&W – WBW37
Hollywood Studios, Walt Disney World

  

MLCreations Photography: WDW in B&W &emdash; Hollywood Dreams

Hollywood Dreams
Olympus E-M1 Mark II, M. Zuiko 12-40mm f/2.8, 1/400s, 40mm, f/11, ISO 400

 

Mountain Dreaming

WDW in B&W – WBW36
Animal Kingdom, Walt Disney World

  

MLCreations Photography: WDW in B&W &emdash; Mountain Dreaming

Mountain Dreaming
Olympus E-M1 Mark II, M. Zuiko 40-150mm f/4-5.6 R, 1/500s, 11mm, ISO 800

 

Journey Dreams

WDW in B&W – WBW35
Monorail Monday
Future World, Epcot, Walt Disney World

  

MLCreations Photography: WDW in B&W &emdash; Journey Dreams

Journey Dreams
Olympus E-M1 Mark II, M. Zuiko 17mm f/1.8, 1/400s, f/9, ISO 200

 

Splash Halo

Magic Kingdom, Walt Disney World

  

MLCreations Photography: Blog Post Related &emdash; Splash Halo

Splash Halo
Olympus E-M1 Mark II, M. Zuiko 9-18mm f/4-5.6, 13s, 12mm, f/11, ISO 100

 

Relaxing Thunder

WDW in B&W – WBW34
Big Thunder Mountain Railroad
Magic Kingdom, Walt Disney World

  

MLCreations Photography: WDW in B&W &emdash; Relaxing Thunder

Relaxing Thunder
Olympus E-M1 Mark II, M. Zuiko 12-40mm f/2.8, 1/250s, 12mm, f/11, ISO 200

 

Standing alone, my senses reel

Delta Lake State Park

  

MLCreations Photography: Blog Post Related &emdash; Standing alone, my senses reel

Standing alone, my senses reel
Olympus E-M1 Mark II, M. Zuiko 12-40mm f/2.8, 1/25s, 20mm, f/11, ISO 100

 

Divide and Conquer – Revisited

What I Have Learned
Pixley Falls State Park

Two weeks ago I did a “What I Have Learned” post and I really enjoyed the process. I went back to 2012 again and found another of my early favorites. This image from Pixley Falls State Park is another example of how I had over worked images via the HDR process. I realize now I did not have an understanding of the importance of lights and shadows. It didn’t hurt that some of the photographers I was following used HDR to their benefit in creating the images I admired.

This is an extreme example, now that I look at it with a more critical eye. I captured a three exposure bracket but went to the very extremes +/-2 stops when in reality the original exposure had everything I needed.You can see in this image that there are very few shadows and highlights. The whole image is practically the same tone.

  

MLCreations Photography: Blog Post Related &emdash; Divide and Conquer

Divide and Conquer – Original
Nikon D5100, Sigma 17-70mm f/2.8-4, {1/4, 1, 4s bracket}, 17mm, f/16, ISO 100

  

For the new version of this image I processed the 1 second exposure in Lightroom. I re-cropped the image slightly to bring a little more of the scene into the top. I wanted to keep the highlights in the water as well as the shadows under the rocks. This also allowed the differences in the tone of the leaves to stand out. My original HDR processing as well as the plugins I’m sure I used dulled the image slightly. I wanted to keep as much definition and sharpness as I could.

After completing my Lightroom process I did add a few more adjustments with Luminar 4. I didn’t go crazy though. Slight pop to the color, a little more texture in the shadows and mid-tones, and I avoided dulling the highlights in the water. This new version is brighter, more colorful and a truer representation of the scene. I really like/liked my original but I this reworked version has me enjoying this view even more… let me know what you think.

  

MLCreations Photography: Blog Post Related &emdash; Divide and Conquer Revisited

Divide and Conquer – Revisited
Nikon D5100, Sigma 17-70mm f/2.8-4, 1s, 17mm, f/16, ISO 100