Winter Trail

Hopefully this will be one of the last images in the Monochrome Winter series…

Winter Trail Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/200s, 200mm, f/8, ISO 200

Winter Trail
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/200s, 200mm, f/8, ISO 200

Black & White Photography

Simple assignment, black & white photography.  Harder assignment, why you choose to photograph or present your photos in B&W. Scott Thomas just had to throw that last part into his current photographic assignment. I was hoping I would be able to get some fresh images for this assignment which would also help me answer the tougher question, but my opportunities dwindled as the deadline approached. Luckily the daylight savings time change last weekend provided the necessary extra light after work and I created time earlier this week to explore the creek behind my house. It is a favorite playground of mine and late in the day always manages to provide me with interesting subjects.

Around the Bend Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/5s, 90mm, f/18, ISO 200

Around the Bend
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/5s, 90mm, f/18, ISO 200

Beware the S-curve Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/5s, 62mm, f/20, ISO 100

Beware the S-curve
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/5s, 62mm, f/20, ISO 100

Straight on to you Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/2s, 55mm, f/20, ISO 100

Straight on to you
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/2s, 55mm, f/20, ISO 100

Of course these images are an easy fit for conversion to B&W. Color can be an important ingredient when making an image. Our eyes are automatically drawn to bright or contrasting color areas of an image. A B&W image relies more on the lines, composition, and a balance between light and dark areas. Shadows and highlights become more obvious in a B&W image. The details in a B&W image tend to stand out more for me than in the corresponding color version. I’m not sure it is a real phenomenon or just my perception. I find when I specifically set out to create an image in B&W I look for slightly different things before I press the shutter.

These three images in particular where about capturing the flow of the dark water and the texture of the new, puffy snow. You might also notice that these are not exactly B&W images. I prefer either a platinum tone or a silver tone to a lot of the images I convert. The silver tone especially handles the slight tonal differences better in the mid tones. I like the way a platinum tone brings out the subtle differences in the highlights of the snow.

This winter I felt like I needed something to keep me motivated and get me to drag my lazy butt outside with the camera. I decided to create a series of images I called Monochrome Winter. I have tagged all the posts in this series so they can be viewed as a set. There is a link under the header image on my home page or you can use this link: Monochrome Winter.

I know this might sound cliche but I recently discovered Ansel Adams’ work. I tend to troll certain sections when I am at the library with no clear direction on the book I am looking for until something catches my eye. I brought home his book Ansel Adams: Our National Parks and was hooked. I have been working my way through everything the library has to offer. I know it has had an impact on how I approach my photography and even some of my processing. I definitely want to take a trip out west and view Yosemite for myself.

Another big influence on my desire to create B&W images is Nate Parker. I first found Nate on Google+ and was immediately captivated by his images. Nate lives in Acadia Natinal Park in Maine. His coastline images have me planning a return trip to Maine, just going farther north along the coast than I have in the past. If you haven’t viewed his work you can check it out here: Nate Parker Photography.

Well, the sun is out and the sky has some nice clouds. The battery is charged and the temps are rising. Time for me to go exploring…

Birch in Corn Field

I drive past this tree everyday to and from work. I have been waiting for the sunset light to get back high enough in the sky as I leave work to allow me to stop and grab this image. Yesterday the sun and clouds worked together. I had the light I wanted as well as a slightly clouded blue sky.

The continuing saga that is my Monochrome Winter series…

Birch in Corn Field Nikon D5100, Sigma 17-70mm f/2.8-4, 1/320s, 46mm, f/11, ISO 200

Birch in Corn Field
Nikon D5100, Sigma 17-70mm f/2.8-4, 1/320s, 46mm, f/11, ISO 200

One Bench More

Another from my latest excursion to Delta Lake State Park for the Monochrome Winter series.

One Bench, Two Bench, Three Bench More Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/125s, 65mm, f/16, ISO 200

One Bench, Two Bench, Three Bench More
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/125s, 65mm, f/16, ISO 200

Post and Tree in the Snow

For the Monochrome Winter series…

Post and Tree in the SnowNikon D5100, Sigma 17-70mm f/2.8-4, 1/60s, 70mm, f/8, ISO 800

Post and Tree in the Snow
Nikon D5100, Sigma 17-70mm f/2.8-4, 1/60s, 70mm, f/8, ISO 800

Cee’s Fun Foto Challenge: Black and White or Sepia Tones

Cee Neuner has a weekly photo challenge over on her blog. This week’s challenge is all about B&W or sepia toned images, as you can probably tell by the title of this post.

I have been looking at this particular image since I captured it on Saturday. There is a strong blue sky which definitely accentuates the snow and the pine needles in the strong side light. I liked the detail I was able to capture in the pine cone and the piece of branch. I couldn’t decide if I wanted to process it in color or B&W. The challenged helped make up my mind.

This also makes a nice addition to my Monochrome Winter series…

Pinecone Sno-coneNikon D5100, Sigma 17-70mm f/2.8-4, 1/1000s, 70mm, f/5.6, ISO 200

Pine cone Sno-cone
Nikon D5100, Sigma 17-70mm f/2.8-4, 1/1000s, 70mm, f/5.6, ISO 200

Sunset Light

The latest in my Monochrome Winter series…

Sunset Light Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/500s, 55mm, f/8, ISO 200

Sunset Light
Nikon D5100, Nikkor 55-200mm f/4-5.6, 1/500s, 55mm, f/8, ISO 200

Conifers in Winter

I’m going to consider this my practice image! I have had this image in my head ever since the snow started falling here in Central NY. I keep seeing this grove of conifers with their branches covered and the sun catching everything in the early morning. There was actually one moment already this year where the scene was almost as I envisioned but I was unable to capture it before it disappeared.

The January thaw didn’t help my chances but the snow we just received has re-sparked my desire for this image. It still is not “right” since there is not enough snow on the branches of the trees but it is getting closer. Saturday morning the sun was doing its part but by the time I walked down to the field the clouds decided my walk would be in vain. I did take the opportunity to check out the possible views in the field and from various locations along the road. I’ll be ready when the snow completes my image!

For now another entry in my Monochrome Winter series…

Conifers in Winter Nikon D5100, 17-70mm f/2.8-4, 1/60s, 70mm, f/11, ISO 100

Conifers in Winter
Nikon D5100, 17-70mm f/2.8-4, 1/60s, 70mm, f/11, ISO 100