Midday Pixley

Pixley Falls State Park

It was finally the end of the work week. It had been long. On Tuesday I chose to do the morning for me and captured the sunrise. Yesterday, I chose me again and left work during lunch (already had the 40 hrs in). Although it was slightly raining/snowing I drove up to Pixley Falls for pictures. It was worth it.

As I was capturing views of the waterfall I was planning how I wanted to process the images. I could see them already as nice monochrome images. Knowing this would be the result I wanted, influenced how I captured each scene. Not only was composition important so was tonal quality and textures.

The greens of spring have not started to show here in Upstate NY. Add in the overcast day (perfect for waterfalls BTW) and you can see how monochrome processing works for these images. I did want to show a few other variations for this first image. This is essentially straight out of the camera.

Midday Falling – SOOC
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 0.5s, 47mm, f/11, ISO 100

The wet conditions of the day enhance parts of the scene. Tree trunks are darker. The rocks to the right of the waterfall are also darker in tone. These will be enhanced by converting to monochrome. I also play with the saturation of the separate colors (mostly orange, yellow and blue) to highlight different areas of the image. Which brings us to the monochrome version.

Midday Falling
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 0.5s, 47mm, f/11, ISO 100

To be honest, not a big change from the original. I made one more version of this image. I applied a vintage preset I created years ago. There is a matte overlay as well as tweaks to the highlights and shadows (adding yellow and blue respectively). For me it changes the feeling of the image. Not sure I prefer it over the monochrome version but I think it “fits” the view.

Midday Falling – Vintage
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 0.5s, 47mm, f/11, ISO 100

The snow started to increase and the wind kept swirling the mist/snow onto my lens. It was getting difficult to keep the front clean. My hands were getting cold too. Why I didn’t use the gloves I keep in the car is beyond me. There is a good chance the weather will be favorable this weekend. I’m looking forward to venturing out again with the camera.

Pixley Spring
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 0.4s, 70mm, f/11, ISO 100

Pixley Profile
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 0.8s, 30mm, f/11, ISO 100

Pixley from the River
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 1/3s, 38mm, f/11, ISO 100

A Path to Dream

Magic Kingdom, Walt Disney World

A Path to Dream
Nikon Z6 II, Nikkor Z 24-70mm f/4 S, 1/80s, 24mm, f/11, ISO 100

Overcast Reflection

NYS Barge Canal

The temperatures are improving today but the weather is still overcast and gloomy. I didn’t let that stop me this morning. After getting my laundry done and having breakfast I ventured out to Bellamy Harbor for some monochrome images. I knew the fog/overcast conditions would lend themselves to monochrome processing.

I even changed it up a little by using the 50mm prime lens rather than my go to zoom (24-70mm). Even with the 50mm view there is plenty of space around the harbor to capture a nice landscape image. I took my time and poked my nose in every corner of the harbor.

Under the bridge heading into Rome you can get right down to the canal. This is the view looking west up the canal. I started with a landscape oriented view but once my eye caught the tree reflection I knew which image I would be working on when I got home.

Overcast Reflection
Nikon Z6 II, Nikkor Z 50mm f/1.8 S, 1/40s, f/8, ISO 100

Vision Obscured

Monochrome
Landscape

Yesterday’s search in the fog was related to this week’s challenge at 52frames.com, ‘Scene From a Movie’. I was thinking film noir but looking at the images nothing feels cinematic to me. I still have today to work on the challenge.

I like the images I was able to bring home. As I said, yesterday’s image is my favorite. The images today are me looking for that cinema feel with the shrouded dam. I believe the issue with them, for me, is the composition. I didn’t find the right one.

The last image was the most difficult to capture as the fog was too intense for the camera to detect focus. I manually set the camera at infinity but it still is blurry. I’m going with, “I intended for it to be that way”… ;)

Somewhere Out There
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/30s, 29mm, f/8, ISO 200

Lost in a Haze
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/40s, 31mm, f/8, ISO 200

Vision Obscured
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/40s, 36mm, f/8, ISO 200

Doors

52-week Challenge
Week 3 – Black and White

What to do, what to do?

The week three challenge at 52 Frames is Black and White photography. Readers of my ramblings know that I am no stranger to B&W, or monochrome, photography. Hardly a week goes by (when I’m posting consistently) without you having to endure another of my monochrome images. The style works for landscape, macro, still life, etc. You can visit my home page galleries and find three dedicated to monochrome projects.

So, what should I do?

I’m supposed to be challenging myself.

I thought about this challenge most of the week. I considered doing another image for the oil can project, or maybe the game pieces project, but really wanted something different. Out of necessity, due to the frigid temperatures, I had an idea. Something I could almost achieve from the comfort of my vehicle if needed.

I have written about one of my favorite photographers, Tom McLaughlan, and his ministract photography, in a couple of posts through out the years. He created a style that is part minimal, and part abstract. I can not do it justice but I encourage you to visit his site, Ministract.

My idea for the challenge this week would be similar to the ministract style I admire. I would photograph doors and patterns. Some I was even able to do from my vehicle (non-moving of course). For the last one I braved the elements at Bellamy Harbor.

Door #1
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/100s, 45mm, f/8, ISO 100

Door #2
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/400s, 70mm, f/8, ISO 100

Door #3
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/160s, 40mm, f/8, ISO 100

So Long 2023

Delta Lake State Park

This year has been a roller coaster ride, photographically, that is…

The lull in picking up my camera that started in late 2022 continued through most of the first quarter of this year. It wasn’t until after a few conversations at work did I consider anything with photography. I started slow late in March and gained good momentum through the summer months.

I managed a couple of trips to Florida, one mostly for Disney and another included a few days on the east coast. I think it was the second Disney trip that started the decline in my interest again. When I returned I wasn’t engaged. I couldn’t “see” the images and didn’t feel satisfied with what I was creating. I turned to my other hobby again…

Until the last day of the year.

It was in no way a great day. Temps around freezing. A cloudy sky with off and on drizzle. But I went to Delta Lake at sunset. Or at least when sunset was occurring, who could tell through the clouds. My thoughts were on creating monochrome images. I felt I could pull some drama out of the clouds and maybe I would be able to convey how the day made me feel. 

You’ll have to let me know how I did…

Cold Beach
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/20s, 24mm, f/8, ISO 400

Through the Reeds
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/20s, 36mm, f/8, ISO 400

The Point
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/15s, 28mm, f/8, ISO 400

Guarding the Point
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/13s, 24mm, f/8, ISO 400

The Lake
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/15s, 41mm, f/8, ISO 400

Symmetry
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/10s, 38mm, f/8, ISO 400

Collect the Tables
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/4s, 27mm, f/8, ISO 400

Winter Trails
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/4s, 28mm, f/8, ISO 400

Lonely Sentine
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/6s, 34mm, f/8, ISO 400

The Park
Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/5s, 24mm, f/8, ISO 400

Reminisce of Me Deeply

Midday, Floral, Macro

Reminisce of Me Deeply
Nikon Z6 II, NIKKOR Z MC 105mm f/2.8 VR S, 1/125s, f/3.5, ISO 100

Texture, Shadow and Lines

Monochrome, Minimalism, Abstract

Another walk in the International Sculpture Garden before dinner. No purpose. Mostly a meander along the trails. A few detours when something catches my eye. It was good.

Crossing over a little creek on a wooden bridge yielded this image. Shadows intersecting the deck definitely intrigued me. I love the simplicity yet can get lost in the details…

Texture, Shadow and Lines
Nikon Z6 II, NIKKOR Z MC 105mm f/2.8 VR S, 1/500s, f/5.6, ISO 100