I’ll preface it as a statement, not an excuse, OK, maybe a little excuse. Work and weather have been conspiring against me. Getting out of work close to sunset provides little time to get the camera or enough daylight to go explore for images. And the weather definitely has it out for me. It is the full moon today and Friday morning is the best time to photograph it setting (my favorite time), but the forecast is for rain all day. :(
So, sitting here pouting this morning, drowning my sorrows in coffee, I give you the Lonely Sentinels at Bellamy Harbor.
Lonely Sentinels Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/500s, 35mm, f/8, ISO 100
Monochrome Winter Monochrome Monday Bellamy Harbor Park
I’m going to make it easy on myself today. I’ll stick with the monochrome/B&W theme and show another monochrome winter image. As I was searching for doors yesterday, I did eventually stop at Bellamy Harbor Park. It wasn’t horrible out (as long as I walked with the wind). I managed to find a few scenes worth capturing.
I typically grab an image of this pavilion from the Mill St. bridge. The additional elevation allows me to incorporate more of the area around the pavilion. I chose not to go up to the bridge yesterday as I really did not want to deal with the wind. I know, I should be more brave… :)
Winter Picnic Anyone? Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/400s, 24mm, f/8, ISO 100
The week three challenge at 52 Frames is Black and White photography. Readers of my ramblings know that I am no stranger to B&W, or monochrome, photography. Hardly a week goes by (when I’m posting consistently) without you having to endure another of my monochrome images. The style works for landscape, macro, still life, etc. You can visit my home page galleries and find three dedicated to monochrome projects.
So, what should I do?
I’m supposed to be challenging myself.
I thought about this challenge most of the week. I considered doing another image for the oil can project, or maybe the game pieces project, but really wanted something different. Out of necessity, due to the frigid temperatures, I had an idea. Something I could almost achieve from the comfort of my vehicle if needed.
I have written about one of my favorite photographers, Tom McLaughlan, and his ministract photography, in a couple of posts through out the years. He created a style that is part minimal, and part abstract. I can not do it justice but I encourage you to visit his site, Ministract.
My idea for the challenge this week would be similar to the ministract style I admire. I would photograph doors and patterns. Some I was even able to do from my vehicle (non-moving of course). For the last one I braved the elements at Bellamy Harbor.
Door #1 Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/100s, 45mm, f/8, ISO 100
Door #2 Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/400s, 70mm, f/8, ISO 100
Door #3 Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/160s, 40mm, f/8, ISO 100
I wanted to post an image today, but I haven’t had the opportunity to go out after work to capture anything new. So I’m left with looking through the images from the past few weeks. There’s not a lot you haven’t already seen.
This image reminded me of my friend Karma’s post, Icy Beauty, although it is nowhere as sparkly as her images. It is similar in that it is from my go-to walking trail. Seeing it brought me back to that afternoon in between the snowfall, listening to the river gurgling past as I picked my way along the path in search of winter scenes.
I need another one of those afternoons.
Peer into the Heart Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/60s, 24mm, f/8, ISO 100
There was a sliver of light in the sky Sunday morning. The forecast didn’t look good for the rest of the day, but I wanted to capture colors. I wanted the sunrise. I drove to Bellamy Harbor in the hope I could capture both.
The light was changing fast as the clouds were fighting the rising sun. I could see it already, my normal view down the canal with the sun providing the color against the gathering clouds. It was going to be a good one.
This time of year the sun rises to the right of the Mill St. bridge as I look east down the Barge Canal. When I arrived at the harbor my first choice was to setup at the water’s edge near the pedestrian bridge over the Mohawk River. I would be looking straight into the sunrise and could include rocks with river debris as foreground elements.
First Choice Nikon Z6 II, Nikkor Z 24-70 f/4 S, 0.8s, 26mm, f/11, ISO 100
Not a terrible image but not the one I had in my head. Time to move to “my spot” next to the water control gates at the opening of the harbor.
Damn.
The city fixed the fence again. Not sure what my thought process is or why I think this way, but I have no issue going around the fence if someone else has made the opening. I refuse to do it myself. It is a small difference but I stick to it.
Now what?
There is still a view to capture. Keep working the area.
Maybe the view looking down the canal framed by tree branches and the over growth? It could work. I’m not a fan of obscuring the sky but at least give it a try. Placement of the camera is important for this one. Too low on the bank and all you get is the over growth. Too high and the branches from the tree invade the harbor view. There it is…
Framed View Nikon Z6 II, Nikkor Z 24-70 f/4 S, 0.8s, 38mm, f/11, ISO 100
Still not the one. The light is changing too. Closer to sunrise. Next option?
An elevated view? Same spot in the harbor as the first image but from the top of the bank. I’ll still be looking into the sunrise. The light will be centered.
Higher View Nikon Z6 II, Nikkor Z 24-70 f/4 S, 0.8s, 29mm, f/11, ISO 100
Almost. Is it getting darker? No, my eyes must be playing a trick on me. Any other thoughts for your sunrise?
Something with out the over growth in the foreground?
Wow! Look at that color. Definitely a view with more water to get the color reflection. From the pedestrian bridge? That could work.
Bridge View Nikon Z6 II, Nikkor Z 24-70 f/4 S, 0.8s, 26mm, f/11, ISO 100
Damn. It’s cold out this morning. Fingers are getting a little numb.
One more. Back to the water’s edge. Look at those colors.
Fire in the Sky Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/4s, 29mm, f/11, ISO 100
As you can probably tell, the last two images are my favorites. I didn’t know what I would find for an image but I stayed with it. I didn’t get the image in my head but I didn’t walk away. The light was constantly changing providing new and different opportunities..
Looking at the last two images, I wish I had used a neutral density (ND) filter. It would have slowed down my shutter and created smoother, silkier water. It could plus these images or maybe not. The option for me as I processed the captures would have been nice. Next time…
Don’t give up on a scene, especially if an obstacle prevents you from the planned image in your head. Don’t be tied to that vision, create a new one.
I struggled with this week’s challenge, use a new technique. From the beginning of this photography journey I have experimented with different techniques. I typically stick with the landscape and macro images but have tried intentional camera movement, minimalism, abstract, B&W, square format, etc.
We had a meeting this week for the photography group at work. Our goal was to get ideas for increasing the group, where we would like to go on photo walks, and what other types of “lessons” we would like to share. It was a great meeting and we came away with a plethora of ideas. We decided we needed a goal of meeting at a minimum of once a month. Out of this meeting I got it in my head to get back into my Game Pieces project. I thought maybe I could do something for this week’s challenge.
And then my mind made a left turn…
I picked up Battleship at the store. I could see numerous possibilities for the project. But would that be enough for the challenge? What did I want out of this self-imposed challenge? To push myself. As I walked around the store a concept became clear. Part of me wasn’t going to like it.
I did something way out of my comfort zone last week. How could I plus that? The title of the image was already in my head, it would be called “Losing Battles.” Another self portrait but this time with a twist. I would incorporate the Battleship game. I love a good play on words and/or double meanings.
So, I expanded on what this weekly challenge would be for me. I would follow, as best as possible, the challenges from 52frames.com but was free to challenge myself differently if I so desired. I guess in the long run, whatever keeps me moving forward with my photography is what I’ll do.
Losing Battles Nikon Z6 II, Nikkor Z 24-70 f/4 S, 0.8s, 53mm, f/8, ISO 100
Continuing with the winter scenes as rain is in the forecast for the next few days. I’m struggling with it being the middle of January in Upstate NY and there is barely any snow. What am I to do if I want to build a snowman?
Three Sisters Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/160s, 52mm, f/8, ISO 100
Work and the short winter days have a tendency to impede my photography. Not an excuse, a simple statement. Those conditions do afford more opportunities to be creative, but not today. I still have a few images to process from a walk on Sunday along the Mohawk River Trail and the quick run up to Delta Lake.
I liked the snow on top of the bird house. I was high on the bank of the pond for this image, zoomed in to isolate the bird house. I thought maybe a landscape view would be better to give a bigger feeling of isolation. To achieve that I walked closer and zoomed out a little. I failed to watch my background, and I lost the separation of the bird house.
The first image is my “reject” and not fully processed. Notice how the bird house is mixed in with the background. It doesn’t stand out as I wanted. The second image separates the areas of the image and has a greater focus on the bird house, my intended subject. In my rush to capture images before I lost the light I didn’t “see” the scene in my viewfinder.
Home 103 Miss Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/15s, 50mm, f/8, ISO 100
Home 103 Nikon Z6 II, Nikkor Z 24-70 f/4 S, 1/25s, 70mm, f/8, ISO 100
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